Photography, 1983–1984

Photography, 1983–1984

Untitled
1983

Most of the following color photographs were part of a series of twenty-eight images I created as a junior at UCLA. They were flush-mounted in a single frame—I wanted them to function like a sequence of jump cuts in a film. The piece was created for Mark McFadden’s photography class.

Photography, 1983–1984

Photography, 1983–1984

Untitled
1983

Photography, 1983–1984

Photography, 1983–1984

Untitled
1983

Photography, 1983–1984

Photography, 1983–1984

Untitled
1983

Photography, 1983–1984

Photography, 1983–1984

Untitled
1983

Photography, 1983–1984

Photography, 1983–1984

Untitled
1983

Photography, 1983–1984

Photography, 1983–1984

Untitled
1983

Photography, 1983–1984

Photography, 1983–1984

Untitled
1983

Photography, 1983–1984

Photography, 1983–1984

Untitled
1983

Photography, 1983–1984

Photography, 1983–1984

Untitled
1983

Photography, 1983–1984

Photography, 1983–1984

Untitled
1983

Photography, 1983–1984

Photography, 1983–1984

Untitled
1983

Photography, 1983–1984

Photography, 1983–1984

Untitled (Emily)
1983

Photography, 1983–1984

Photography, 1983–1984

Untitled
1984

Most of the following black and white photographs formed part of a series of diptychs I produced as a senior at UCLA. The series is named “Stray Dog Running: Wanderings Through Nod,” and it was created for Robert Heinecken’s photography class.

Photography, 1983–1984

Photography, 1983–1984

Untitled
1984

Photography, 1983–1984

Photography, 1983–1984

Untitled
1984

Photography, 1983–1984

Photography, 1983–1984

Untitled
1984

Photography, 1983–1984

Photography, 1983–1984

Untitled
1984

Photography, 1983–1984

Photography, 1983–1984

Untitled
1984

Photography, 1983–1984

Photography, 1983–1984

Untitled
1984

Photography, 1983–1984

Photography, 1983–1984

Untitled
1984
Hand-tinted photograph, 16 x 20